
So, if it is the case that society shapes our desires, how do we understand this imposition of interest, or, more importantly, ourselves? These understandings are best given to us by the stories we know, and in particular those parts within which we tend to agree.
What literature grants us is a grand menagerie of desire, and this can also be extend to film and stage productions. The greater our wealth of alternate images, the greater our possibility for a truer idea of self.